Amabile, T. M. (1996). Creativity in context: Update to the social psychology of creativity. Westview Press.

Andrews, M. (2019). Narrative imagination and everyday life. Oxford University Press.

Annotti, L. A., & Teglasi, H. (2016). Functioning in the real world: Using storytelling to improve validity in the assessment of executive functions. Journal of Personality Assessment, 99(3), 254–264. https://doi.org/…2016.1205075

Barron, F. (1957). Originality in relation to personality and intellect. Journal of Personality, 25(6), 730–742. https://doi.org/…57.tb01561.x

Baer, J. (2016). Implications of domain specificity for creativity theory. In J. Baer (Ed.), Domain specificity of creativity (pp. 55–83). Elsevier Academic Press.

Baldick, C. (2008). The Oxford Dictionary of Literary Terms. Oxford University Press.

Bhattacharya, J., & Petsche, H. (2002). Shadows of artistry: Cortical synchrony during perception and imagery of visual art. Cognitive Brain Research, 13(2), 179–186. https://doi.org/…0(01)00110-0

Boden, M. (2004). The creative mind: Myths and mechanisms. Routledge.

Burchard, E. M. (1952). The use of projective techniques in the analysis of creativity. Journal of Projective Techniques, 16(4), 412–427. https://doi.org/…952.10380443

Bychowski, G. (1951). Metapsychology of artistic creation. The Psychoanalytic Quarterly, 20(4), 592–602. https://doi.org/…951.11925859

Chavez, R. A. (2016). Imagery as a core process in the creativity of successful and awarded artists and scientists and its neurobiological correlates. Frontiers in Psychology, 7. https://doi.org/…g.2016.00351

Chen, C., Kasof, J., Himsel, A., Dmitrieva, J., Dong, Q., & Xue, G. (2005). Effects of explicit instruction to „Be Creative“ across domains and cultures. The Journal of Creative Behavior, 39(2), 89–110. https://doi.org/…05.tb01252.x

Cramer, P. (1999). Future directions for the Thematic Apperception Test. Journal of Personality Assessment, 72(1), 74–92. https://doi.org/…752jpa7201_5

Csikszentmihalyi, M. (2015). The systems model of creativity: The collected works of Mihaly Csikszentmihalyi. Springer.

Dafinoiu, O. D. (2015). The role of analogy in problem solving and increasing creativity. Romanian Journal of Economics, 41(2), 131–144.

De Bono, E. (1990). Lateral thinking: creativity step by step. Harper Perennial.

Eisenman, R. (1992). Creativity in prisoners: Conduct disorders and psychotics. Creativity Research Journal, 5(2), 175–181. https://doi.org/…419209534431

Eisenman, R. (1999). Creative prisoners: Do they exist? Creativity Research Journal, 12(3), 205–210. https://doi.org/…934crj1203_5

González, T. A., Mairal, J. B., Pintor, P. M., Gómez, I. A., García-Noblejas, B. P., & Sánchez, N. (2012). Pic-A: Prueba de ImaginaciónCre­ativa Para Adultos. TEA Ediciones.

Guilford, J. P. (1950). Creativity. American Psychologist, 5(9), 444–454. https://doi.org/…037/h0063487

Guilford, J. P. (1954). Psychometric methods. McGraw Hill.

Guilford, J. P., & Christensen, P. R. (1956). A factor-analytic study of verbal fluency: Studies of aptitudes of high-level personnel. Psychological Laboratory, University of Southern California.

Guilford, J. (1959). Traits of creativity. In H. Anderson (Ed.), Creativity and its cultivation: Addresses presented at the interdisciplinary symposia on creativity, Michigan State University, East Lansing, Michigan (pp. 142–161). Harper & Row.

Guilford, J. P. (1967). The nature of human intelligence. McGraw-Hill.

Guilford, J. P. (1968). Intelligence, creativity, and their educational implications. Robert R. Knapp.

Guilford, J. P. (1977). Way beyond the IQ. Creative Education Foundation. Hidalgo Downing, L. (2015). Linguistic creativity: Metaphor and metonymy. In R. Jones (Ed.), The Routledge Handbook of Language and Creativity (pp. 107–128). Routledge.

Kim, K. H. (2006). Can we trust creativity tests? A review of the Torrance Tests of Creative Thinking (TTCT). Creativity Research Journal, 18(1), 3–14. https://doi.org/…934crj1801_2

Lubart, T. (1994). Creativity. In R. J. Sternberg (Ed.), Thinking and problem solving. 2nd Ed., Vol. 2, (pp. 289–332). Academic Press. Marshall, C., & Rossman, G. B. (1999). Designing qualitative research. Sage Publications.

Martin, L. (2017). Telling stories: The craft of narrative and the writing life. University of Nebraska Press.

Martinsen, Ø. L. (2011). The Creative Personality: A Synthesis and Development of the Creative Person Profile. Creativity Research Journal, 23(3), 185–202. https://doi.org/….2011.595656

Morgan, C. D., & Murray, H. A. (1935). A method for investigating fantasies: the thematic apperception test. Archives of Neurology & Psychiatry, 34(2), 289–306. https://doi.org/…250200049005

Murray, H. A. (1938). Explorations in personality: A clinical and experimental study of fifty men of college age. Oxford University Press.

Murray, K. (1985). Life as fiction. Journal for the Theory of Social Behaviour, 15(2), 173–187. https://doi.org/…85.tb00050.x Pérez, H. J. (2020). The plot twist in TV serial narratives. Projections, 14(1), 58–74. https://doi.org/….2020.140105

Pine, F. (1959). Thematic drive content and creativity. Journal of Personality, 27(2), 136–151. https://doi.org/…59.tb01825.x

Pine, F., & Holt, R. R. (1960). Creativity and primary process: A study of adaptive regression. The Journal of Abnormal and Social Psychology, 61(3), 370–379. https://doi.org/…037/h0048004

Piotrowski, Z. A. (1950). A new evaluation of the Thematic Apperception Test. Psychoanalytic Review, 37, 101–127.

Rogers, C.R. (1961). On becoming a person. Houghton Mifflin.

Rosenzweig, S. (1999). Pioneer experiences in the clinical development of the Thematic Apperception Test. In I. Gieser, M. I. Stein (Eds.), Evocative images. The Thematic Apperception Test and the art of projection (pp. 39–50). American Psychological Association.

Runco, M. A., Illies, J. J., & Reiter-Palmon, R. (2005). Explicit Instructions to Be Creative and Original: A Comparison of Strategies and Criteria as Targets with Three Types of Divergent Thinking Tests. Korean Journal of Thinking & Problem Solving, 15(1), 5–15.

Runco, M. A. (2008). Commentary: Divergent thinking is not synonymous with creativity. Psychology of Aesthetics, Creativity, and the Arts, 2(2), 93–96. https://doi.org/…-3896.2.2.93

Ryan, M.-L. (2009). Cheap plot tricks, plot holes, and narrative design. Narrative, 17(1), 56–75. https://doi.org/…3/nar.0.0016

Schönbrodt, F. D., Hagemeyer, B., Brandstätter, V., Czikmantori, T., Gröpel, P., Hennecke, M., Israel, L. S., Janson, K. T., Kemper, N., Köllner, M. G., Kopp, P. M., Mojzisch, A., Müller-Hotop, R., Prüfer, J., Quirin, M., Scheidemann, B., Schiestel, L., Schulz-Hardt, S., Sust, L. N., … Schultheiss, O. C. (2020). Measuring implicit motives with the picture story exercise (PSE): Databases of expert-coded German stories, pictures, and updated picture norms. Journal of Personality Assessment, 103(3), 392–405. https://doi.org/…2020.1726936

Shaw, B. (2012). Back to Methuselah: A metabiological Pentateuch. Wildside Press.

Sheldon, K. (1995). Creativity and goal conflict. Creativity Research Journal, 8(3), 299–306. https://doi.org/…934crj0803_9

Shourie, N., Firoozabadi, S. M., & Badie, K. (2013). Investigation of EEG alpha rhythm of artists and nonartists during visual perception, mental imagery, and rest. Journal of Neurotherapy, 17(3), 166–177. https://doi.org/….2013.813180

Silvia, P. J., Winterstein, B. P., Willse, J. T., Barona, C. M., Cram, J. T., Hess, K. I., Martinez, J. L., & Richard, C. A. (2008). Assessing creativity with divergent thinking tasks: Exploring the reliability and validity of new subjective scoring methods. Psychology of Aesthetics, Creativity, and the Arts, 2(2), 68–85. https://doi.org/…-3896.2.2.68

Simonton, D. K. (2012). Taking the U.S. Patent Office Criteria seriously: A quantitative three-Criterion Creativity Definition and its implications. Creativity Research Journal, 24(2–3), 97–106. https://doi.org/….2012.676974

Sternberg, R. J., & Lubart, T. I. (1996). Investing in creativity. American Psychologist, 51(7), 677–688. https://doi.org/…66x.51.7.677 Strank, W. (2015). Twist endings: Umdeutende Film-Enden Willem Strank. Schüren Verlag.

Teglasi, H. (2010). Essentials of tat and other storytelling techniques assessment. John Wiley & Sons.

Tobin, V. (2009). Cognitive bias and the poetics of surprise. Language and Literature: International Journal of Stylistics, 18(2), 155–172. https://doi.org/…947009105342

Tobin, V. (2018). Elements of surprise: Our mental limits and the satisfactions of plot. Harvard University Press.

Vedantam, S., Kwerel, L., Boyle, T. (2019, December 23). Why We Love Surprises: The Psychology of Plot Twists. Hidden Brain. Episode, Canton, New York; North Country Public Radio. https://www.npr.org/…rise-endings

Tomkins, S. S. (1947). The Thematic Apperception Test: The theory and technique of interpretation. Grune & Stratton. https://doi.org/…37/11186-000 Torrance, E. P. (1972). Torrance tests of creative thinking. Scholastic Testing Service, Inc.

Torrance, E. P., & Torrance, J. P. (1973). Is Creativity Teachable? Phi Delta Kappa Foundation Fastback 20.

Torrance, E. P. (1988). The nature of creativity as manifest in its testing. In R. J. Sternberg (Ed.), The nature of creativity: Contemporary psychological perspectives (pp. 43–75). Cambridge University Press.

Torrance, E. P. (1995). Why fly? A philosophy of creativity. Ablex Publishing Corporation.

Tversky, A., & Kahneman, D. (1973). Availability: A heuristic for judging frequency and probability. Cognitive Psychology, 5(2), 207–232. https://doi.org/…5(73)90033-9

Vygotsky, L. S. (2004). Imagination and creativity in childhood. Journal of Russian & East European Psychology, 42(1), 7–97. https://doi.org/…004.11059210

Wason, P. C. (1960). On the failure to eliminate hypotheses in a conceptual task. Quarterly Journal of Experimental Psychology, 12(3), 129–140. https://doi.org/…216008416717